ted, but above all, polite.
“Anastasia Steele. I’m studying English Literature with Kate, um… Katherine… um… Miss Ka一vanagh at Washington State.”
“I see,” he says simply. I think I see the ghost of a smile in his expression, but I’m not sure.
“Would you like to sit?” He wa一ves me toward a white leather buttoned L-shaped couch.
His office is way too big for just one man. In front of the floor-to-ceiling windows, there’s a huge modern dark-wood desk that six people could comfortably eat around. It matches the coffee table by the couch. Everything else is white – ceiling, floors, and walls except, on the wall by the door, where a mosaic of small paintings hang, thirty-six of them arranged in a square. They are exquisite – a series of mundane, forgotten objects painted in such precise detail they look like photographs. Displayed together, they are breathtaking.
“A local artist. Trouton,” says Grey when he catches my gaze.
“They’re lovely. Raising the ordinary to extraordinary,” I murmur, distracted both by him and the paintings. He cocks his head to one side and regards me intently.
“I couldn’t agree more, Miss Steele,” he replies, his voice soft and for some inexplicable reason I find myself blushing.
Apart from the paintings, the rest of the office is cold, clean, and clinical. I wonder if it reflects the personality of the Adonis who sinks gracefully into one of the white leather chairs opposite me. I shake my head, disturbed at the direction of my thoughts, and retrieve Kate’s questions from my satchel. Next, I set up the mini-disc recorder and am all fingers and thumbs, dropping it twice on the coffee table in front of me. Mr. Grey says nothing, waiting patiently – I hope – as I become increasingly embarrassed and flustered. When I pluck up the courage to look at him, he’s watching me, one hand relaxed in his lap and the other cupping his chin and trailing his long index finger across his lips. I think he’s trying to suppress a smile.
“Sorry,” I stutter. “I’m not u
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