the door. It’s made of high-polished mahogany, and there are restraining cuffs on each corner. Above it is an expansive iron grid suspended from the ceiling, eight-foot square at least, and from it hang all manner of ropes, chains, and glinting shackles. By the door, two long, polished, ornately carved poles, like spindles from a banister but longer, hang like curtain rods across the wall. From them swing a startling assortment of paddles, whips, riding crops, and funny-looking feathery implements.
Beside the door stands a substantial mahogany chest of drawers, each drawer slim as if designed to contain specimens in a crusty old museum. I wonder briefly what the drawers actually do hold. Do I want to know? In the far corner is an oxblood leather padded bench, and fixed to the wall beside it is a wooden, polished rack that looks like a pool or billiard cue holder, but on closer inspection, it holds canes of varying lengths and widths. There’s a stout six-foot-long table in the opposite corner – polished wood with intricately carved legs – and two matching stools underneath.
But what dominates the room is a bed. It’s bigger than king-size, an ornately carved rococo four-poster with a flat top. It looks late nineteenth century. Under the canopy, I can see more gleaming chains and cuffs. There is no bedding... just a mattress covered in red leather and red satin cushions piled at one end.
At the foot of the bed, set apart a few feet, is a large oxblood chesterfield couch, just stuck in the middle of the room facing the bed. An odd arrangement… to ha一ve a couch facing the bed, and I smile to myself – I’ve picked on the couch as odd, when really it’s the most mundane piece of furniture in the room. I glance up and stare at the ceiling. There are karabiners all over the ceiling at odd intervals. I vaguely wonder what they’re for. Weirdly, all the wood, dark walls, moody lighting, and oxblood leather makes the room kind of soft and romantic… I know it’s anything but, this i
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