Part II 1(13/23)

asks, his voice mild, his

gray eyes glowing.

“Yes, thank you, Mr. Grey,” I reply politely.

“Well, let’s go see the boy’s photos.” He holds his

hand out to me and taking it, I climb out of Charlie Tango.

A gray-haired man with a beard walks over to meet

us, smiling broadly, and I recognize him as the old-timer

from the last time we were here.

“Joe.” Christian smiles and releases my hand to shake

Joe’s warmly.

“Keep her safe for Stephan. He’ll be along around

eight or nine.”

“Will do, Mr. Grey. Ma’am,” he says, nodding at me.

“Your car’s waiting downstairs, sir. Oh, and the elevator’s

out of order; you’ll need to use the stairs.”

“Thank you, Joe.”

Christian takes my hand, and we head to the

emergency stairs.

“Good thing for you this is only three floors, in those

heels,” he mutters to me in disapproval.

No kidding.

“Don’t you like the boots?”

“I like them very much, Anastasia.” His gaze darkens

and I think he might say something else, but he stops.

“Come. We’ll take it slow. I don’t want you falling and

breaking your neck.”

We sit in silence as our driver takes us to the gallery. My

anxiety has returned full force, and I realize that our time in

Charlie Tango has been the eye of the storm. Christian is

quiet and brooding . . . apprehensive even; our lighter

mood from earlier has dissipated. There’s so much I want

to say, but this journey is too short. Christian stares

pensively out the window.

“José is just a friend,” I murmur.

Christian turns and gazes at me, his eyes dark and

guarded, giving nothing away. His mouth—oh, his mouth is

distracting, and unbidden. I remember it on me—

everywhere. My skin heats. He shifts in his seat and

frowns.

“Those beautiful eyes look too large in your face,

Anastasia. Please tell me you’ll eat.”

“Yes, Christian, I’ll eat,” I answer automatically, a

platitude.

“I mean it.”

“Do you now?” I cannot keep the disdain out of my

voice. Honestly, the audacity of this man—this man who

has put me through hell over the last few days. No, that’s

w

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